Love’s parentage
The opening ‘My Love’ refers to the state, not the person. Logically, we start at its beginning, its parentage. Here is the first surprise: they are abstractions! We are clearly going to be reading a highly abstract poem. ‘Despair’ and ‘Impossibility’ are definite negatives. Why? The only suggestion offered is that it is ‘for object strange and high’. Does this suggest the aristocratic origins of the beloved, as well as the quality of his love for her? Is his love elevated and outrageous, when he should be really thinking of someone of his own class and in his own league? Or is it the aristocracy of the mind? ‘Strange’ perhaps means ‘unique’ here.
Magnanimous despair
Stanza two has a wonderful oxymorons, ‘Magnanimous Despair’, leading to a wonderful paradox: how can despair ‘show him so divine a thing’, when hope could not? Here is the metaphysical wit, teasing us to get our heads round this conundrum. It could mean that because of the lady's nobility, he could never win her; but being a noble love, it is also great-hearted (the literal meaning of ‘magnanimous’), which was the highest virtue for the Greek philosopher, Aristotle. If the poet had merely ‘hoped’ for a suitable partner, he would never have allowed himself to fall in love with this lady. Despair is the price he has had to pay, but he was willing to pay it.
A philosophical interpretation
This is to imagine a definite context for the poem. A more general, more philosophical interpretation might be to suggest that only in despair lies the strength and integrity of emotion to break the lower sort of second-rate loving. Idealism both elevates and makes us aware of its unattainability.
The opening ‘My Love’ refers to the state, not the person. Logically, we start at its beginning, its parentage. Here is the first surprise: they are abstractions! We are clearly going to be reading a highly abstract poem. ‘Despair’ and ‘Impossibility’ are definite negatives. Why? The only suggestion offered is that it is ‘for object strange and high’. Does this suggest the aristocratic origins of the beloved, as well as the quality of his love for her? Is his love elevated and outrageous, when he should be really thinking of someone of his own class and in his own league? Or is it the aristocracy of the mind? ‘Strange’ perhaps means ‘unique’ here.
Magnanimous despair
Stanza two has a wonderful oxymorons, ‘Magnanimous Despair’, leading to a wonderful paradox: how can despair ‘show him so divine a thing’, when hope could not? Here is the metaphysical wit, teasing us to get our heads round this conundrum. It could mean that because of the lady's nobility, he could never win her; but being a noble love, it is also great-hearted (the literal meaning of ‘magnanimous’), which was the highest virtue for the Greek philosopher, Aristotle. If the poet had merely ‘hoped’ for a suitable partner, he would never have allowed himself to fall in love with this lady. Despair is the price he has had to pay, but he was willing to pay it.
A philosophical interpretation
This is to imagine a definite context for the poem. A more general, more philosophical interpretation might be to suggest that only in despair lies the strength and integrity of emotion to break the lower sort of second-rate loving. Idealism both elevates and makes us aware of its unattainability.